Jim Hall / The Modest Jazz Trio - Good Friday Blues (1960)
MP3 | 320kbps | LP Rip | Cover | RS.com | 91mb | 5% File Recovery
MP3 | 320kbps | LP Rip | Cover | RS.com | 91mb | 5% File Recovery
Jim Hall (guitar)
Red Mitchell (bass)
Red Kelly (drums)
Recorded in Los Angeles on April One and 2, 1960
Tracks:
1. Good Friday Blues
2. Willow Weep for Me
3. I Remember You
4. Bill Not Phil
5. When I Have You
6. I Was Doin' Alright
File
Allmusic.com:
Other than a set in 1957, this long-out-of-print LP was guitarist Jim Hall's debut as a leader. The 29-year-old Hall was not exactly an unknown name at the time, having played with the Original Chico Hamilton Quintet and the Jimmy Giuffre Three; he was still a year away from joining Sonny Rollins. Subtitled "The Modest Jazz Trio," the band on this date consists of Hall, bassist Red Kelly, and Red Mitchell quite effectively playing piano (he was usually a bassist). The combination works quite well, performing what was essentially straight-ahead jazz. Originally, the unit was only supposed to record the "Good Friday Blues" for a blues anthology album, but the music felt so strong that the trio cut a full album in one day, performing three standards, two Mitchell originals and Bill Harris' "Bill Not Phil." Well worth searching for; hopefully Blue Note will get around to reissuing this underrated gem someday.
Other than a set in 1957, this long-out-of-print LP was guitarist Jim Hall's debut as a leader. The 29-year-old Hall was not exactly an unknown name at the time, having played with the Original Chico Hamilton Quintet and the Jimmy Giuffre Three; he was still a year away from joining Sonny Rollins. Subtitled "The Modest Jazz Trio," the band on this date consists of Hall, bassist Red Kelly, and Red Mitchell quite effectively playing piano (he was usually a bassist). The combination works quite well, performing what was essentially straight-ahead jazz. Originally, the unit was only supposed to record the "Good Friday Blues" for a blues anthology album, but the music felt so strong that the trio cut a full album in one day, performing three standards, two Mitchell originals and Bill Harris' "Bill Not Phil." Well worth searching for; hopefully Blue Note will get around to reissuing this underrated gem someday.